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In Our Lifetime (Marvin Gaye album)
・ In Our Lifetime (Marvin Gaye song)
・ In Our Lifetime (Texas song)
・ In Our Lifetime, Vol. 1
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In Our Lifetime (Marvin Gaye album) : ウィキペディア英語版
In Our Lifetime (Marvin Gaye album)

''In Our Lifetime'' is the sixteenth studio album by soul musician Marvin Gaye, released January 15, 1981, on Motown-subsidiary label Tamla Records. Recording sessions for the album took place at Marvin's Room in Los Angeles, California, Seawest Recording Studio in Honolulu, Hawaii, and at Odyssey Studios in London, England, throughout 1979 and 1980.〔(Tower.com: In Our Lifetime: The Final Motown Sessions (CD) by ... ). Tower.com. Retrieved on 2008-08-29.〕 The album cover was designed by Neil Breeden. Gaye's final album for Motown before leaving for Columbia Records, the album was the follow-up to the commercial failure of ''Here, My Dear'', a double album which chronicled the singer's divorce from Anna Gordy.〔(RS Biography of Marvin Gaye ). Rolling Stone. Retrieved on 2008-08-29.〕 Entirely written, produced, arranged, and mixed by Gaye, ''In Our Lifetime'' was a departure for Gaye from the disco stylings of his previous two studio efforts and was seen as one of the best albums of the singer's late-Motown period.〔(Allmusic critic Jason Elias says ''In Our Lifetime'' was "one of his finest later albums and captures him at his craft was maturing and becoming more multifaceted" ). All Media Guide, LLC. Retrieved on 2008-08-29.〕
==Conception==
In 1979, Marvin Gaye found himself at a professional and personal low ebb. Two years without a hit since "Got to Give It Up", he had released the commercially dismal ''Here, My Dear'', which then alienated critics and fans alike for the musician's take on his personal life including his troubling marriage to Anna Gordy, which had ended in divorce a couple years before. Following that divorce, Gaye married his longtime girlfriend Janis in October 1977. Janis Gaye later filed for legal separation citing mental abuse throughout their marriage. Janis had been the inspiration behind Gaye's 1976 album, ''I Want You''. That year, Gaye decided to reestablish his pop audience, first releasing a slightly autobiographical disco song he titled "Ego Tripping Out", in which he lyrically explained his larger-than-life ego and masked it with personal doubt ("turn the fear into energy/'cause the toot and the smoke won't fulfill the need"). Gaye debuted the song while appearing on Dinah Shore's ''Dinah & Friends'', with the performance later being featured on the DVD, ''Marvin Gaye - The Real Thing: In Performance 1964-1981''.
The song was supposed to be the leading track off Gaye's next album, a disco-styled album he titled ''Love Man'', with tracks he had recorded at his recording studio complex. However, the album was put on hold as Gaye, now facing a $4.5 million debt with the IRS, went out on a half-hearted world tour to alleviate his debts. Gaye's heart, however, wasn't in the tour, and midway through after a mildly receptive show in Japan and performances in Hawaii, he abandoned the tour, which led to musicians in his band as well as concert promoters suing Gaye for thousands of dollars on reneging on the contract. For weeks, Gaye secluded himself in a bread van on the beach in Maui while still struggling from his now-crippling cocaine addiction. However, desperate for a fix, he called his mother Alberta and asked her to give away earrings he had bought her in exchange for money to buy cocaine. He had also gone so far to ask friends such as Smokey Robinson and Stevie Wonder for money, but neither complied and both refused to give him money. Around this time, Gaye's lawyer advised him to file for voluntary bankruptcy, later resulting in the shutdown of his recording studio, which further depressed Gaye.
An ill-fated reunion with Janis around this time led Gaye, high on cocaine, to point a knife to Janis's heart, causing another separation. Around this time, Gaye tried finishing his ''Love Man'' album but instead of presenting the album with upbeat lyrics, some of the songs dealt with his own life. In the song, "Dance 'N Be Happy", for example, while the chorus repeated "let's dance and be happy", the lyrics, which Marvin sung off the top of his head in falsetto, revealed his anguish at the fallout of his marriage to Janis, even accusing her of making him "uptight". After hearing a mix in Honolulu, a disillusioned Gaye shelved the album, fearing his music career was over. One day, severely depressed, Gaye ingested a full ounce of cocaine, in his first suicide attempt since the late 1960s, thinking he would die. He later told David Ritz, "I'd given up. The problems were too big for me. I just wanted to be left alone and blow my brains on high-octane toot. It would be a slow but relatively pleasant death, certainly less messy than a gun." During this time, British concert promoter Jeffrey Krueger got contact with Gaye through drug dealers.〔''What's Going On: The Life and Death of Marvin Gaye'', PBS, 2006〕 Krueger, with help from Gaye's friend Jewel Price, convinced Gaye to sober up and start a European tour, Gaye's first since 1976. The tour, which took place in 1980, featured performances in Germany, Austria, France, Italy, Switzerland and England. The tour ended on a bad note after Gaye failed to show up on time for a command performance for Princess Margaret, leaving Krueger to sue him for breach of contract; eventually Gaye and Krueger settled their dispute without having to go to trial.
Gaye, now scared of a possible arrest warrant for avoiding the IRS, decided to settle in London where he partook on the city's nightlife and suffered a relapse. By now, Gaye had learned of freebasing while living in London and would spend weeks getting high. Gaye also began to reevaluate the ''Love Man'' album stating "I had to do something for money, but I also had an obligation - to the truth. Motown wasn't giving me a cent 'cause they were yelling how they'd spent a fortune on the ''Love Man'' cover and here I was holed up in Hawaii telling them the love man was dead. He was. The love man was me and I needed to stop that shit." Gaye rethought the album's concept and said he "saw how silly I'd been. Who needed another record moanin' and bitchin' 'bout some woman? Why did I have to regain my throne as the sex king? Who cared about competing with Michael Jackson and Prince? Look what was happening with the world. I had a message to spread. I had my theme."

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